Oddio Overplay : spreading happiness
About Oddio Overplay
Oddio Overplay began in the 1990s as a directory for music shared online. As technology grew, so did Oddio by hosting original music and radio shows. When netlabels first appeared, Oddio Overplay was right there to filter through all the sounds and connect listeners with new artists.
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Here are some of the albums Oddio has added to the WFMU Free Music Archive. Click the dots above the row of album covers to see the next rows. Here's hoping you find some albums and collections you love.
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katya-oddio on 06/06/2015 at 06:23PM
"Der Abend (Evening) is a short work on a poem by Joseph von Eichendorff, for double choir, paying homage simultaneously to the homophonic simplicity of Schubert, the antiphonal style of the 17th century Venetians, and the bitonality of Ives. That is quite a mix! Beginning and ending both in C Major and G Minor, and seeming to traverse almost every other key in between, the effect, while appearing somewhat incongruous or jarring at first, soon transports us into a dreamlike state where, as the poem states, we begin to notice that, 'ancient days and gentle sorrows now fuse like quiet showers luminously through the heart.'"
A recording of the world premiere of the piece is now housed on the Free Music Archive, as well as a reprise of the piece in the same concert performed by the Massachusetts Instiitute of Technology Concert Choir.
katya-oddio on 06/05/2015 at 09:16PM
The MIT Symphony Orchestra supports the MIT Concert Choir in this performance of Franz Joseph Haydn's Die Jahreszeiten (The Seasons). The choir is conducted by William Cutter.
In failing health near the end of his musical career, Haydn composed this work over two years while struggling with a libretto prepared by Austrian nobleman Baron Gottfried van Swieten, who also penned the libretto for Haydn's popular The Creation. The text is based on the poem "The Seasons" by English poet James Thomson. Haydn's final work premiered in 1801.
In The Seasons, the chorus sings mostly in four parts, featuring three vocal soloists. The same solo voices representing archetypal plain country people appear here as in The Creation — Simon (bass), Lucas (tenor), and Hanne (soprano). For this performance, the soloists are Diana Hogland, Mark Evans, and Mark Andrew Cleveland.