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Kraak

About Kraak

Kraak
REGISTERED:07/02/2009
CONTRIBUTIONS:46
PLAYLISTS CREATED:0

KRAAK is a grass-roots organisation that offers presentation and development possibilities in left field music. It's hard to describe the functioning of KRAAK because the combination of our work strategies differs from most other organisations. We see ourselves as a quality platform, a promotor for young artists who are working within uncommon genres as avant-rock, psych, experimental electronica, free-jazz, new folk, improdrones,... We organise small 'lab-evenings', bigger presentation moments and creation possibilities. With a monthly mini-magazine we also try to support the experimental scene with documentation and promotion. Therefor we could be called a new style music organisation that tries to work within a variety of niches and tries to support those niches and their artists as good as possible. KRAAK and adventure are a synonymic. We want to surprise, present new stuff, or approach music from alternative direction. The most important arguments for our artistic choices are how captivating or innovative the bands are.

Our history

KRAAK was founded from the ashes of the Flemish underground tapelabel Toothpick. KRAAK wanted to be an eccentric international label and, because of that, founded friendships with alike-minded micro-organisations quite easily. Within a climate of sharing information and experience, KRAAK started doing distribution and and promotion for other labels in the Benelux. This double activity became financially too heavy and in the spring of 2002 KRAAK continued as a label and concert organisation only. With a minimal budget KRAAK gained an excellent reputation and popularity in our home country and abroad. The Flemish gouvernement noticed this and agreed to support the organisation. The support was more than welcome and led to a new boost. After ten years of experience KRAAK tries -more than ever- to be a trademark for an open, innovative music culture.


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tommykraaknet on 05/21/2012 at 06:03PM

Bear Bones, Lay Low

It took Ernesto Gonzalez more than three years to record the follow-up for his ‘Vallée de Dith’, but it was definitely worth the waiting! ‘El Telonero’ is a tribute to the art of opening up for other bands. This album was created during a period in which Gonzalez got more comfortable on stage, often setting the vibe for the night. Concentrating on the ultimate tuning-in quality. The loose kraut-inspired jams of his second record are pretty much absent here. The focus is on analog synths and old drum computers, but unlike the whole neo-ambient just-bought-something-analog-and-ran-it-through-my-loopstation-scene this album is a well constructed and elaborated piece of art. Taking his inspirations from old masters such as Mort Garson, Bruce Haack, Angel Rada and Martin Rev, ‘El Telonero’ became a throbbing head spinner that is as much an ambitious third ear experience as an exotic library dream. The whole is heavily fueled by catchy mind melodies.

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tommykraaknet on 05/21/2012 at 05:57PM

Floris Vanhoof

Connecting his many worlds, ideas and influences into highly personal live performances and recordings, Floris Vanhoof keeps on amazing people here and abroad. After his vinyl debut on Ultra Eczema, this is his second outing on wax. Cycles of Confusion unites two different aspects of Vanhoof’s work. Side A is a live piece recorded to four tracks and mixed in his home studio. It shows Vanhoof’s Riley inspired side, focussing on consciousness outside the mind as evoked by modular synth sounds. Side B is a very unique composition based on various field recordings, ranging from a classical orchestra tuning their instruments to the sound of an old pinball game. A true masterpiece of this young artist.

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