CKUT : yes, it is music.
CKUT's music programmes run the gamut of genres and non-genres with a penchant for innovation and experimentation, niches of pleasure to titillate a variety of discerning listener's tastes. Our broadcast studio is used as a zone for live experimentation, performance, and community involvement on a weekly basis. We don't take ourselves too seriously and enjoy pushing the boundaries of what's expected from a radio frequency.
CKUT is one of the largest volunteer owned and operated Campus/Community radio stations in Montreal, broadcasting 5000 watts of power at 90.3FM from the radio tower that crowns the peak of Mount Royal. The terrestrial range of the broadcast signal reaches about 150 kilometres around the city, with live streaming and six months of program archives available at ckut.ca. CKUT is supported by the students of McGill University, community members, and listener's from Montreal and beyond.
CKUT is one of the the largest, if not the largest and most active Campus/Community Radio Stations in Canada. The station's direction and programming is a result of the ideas and efforts of over four hundred volunteers who create live radio 24/7, 365 days a year. A volunteer owned and operated station, CKUT operates with a non-hierarchical collective management structure. CKUT's programming is split into three categories with music occupying the largest portion of air time, and news and culture programmes providing the much needed space for marginalized voices and opinions.
No traffic reports, story assignments, play lists, listener surveys, or demographics to cater to, CKUT 's programming content is entirely in the hands of our volunteer hosts and producers who have free reign over the content that they send out over the airwaves, ensuring that the station's programming is not dictated by some self appointed taste maker. 95% of the programming produced in house.
» VIEW ALLRecently Added Highlights
CKUT Featured Mix
» VIEW BLOG CKUT Blog Feed
ckutmusic on 03/05/2015 at 07:38PM
Making her recording debut with the words of Dorothy Parker set to acoustic guitar, Myriam Gendron explores the depths of what can be done with strings and voice. It is honest and disarming, varying between light-hearted strums and melancholic folk influences that mirror the bittersweet wit of Parker's own works. Gendron falls squarely into a tradition of earnest folk songwriters: her music is unassuming yet heartfelt, possessing a quiet beauty that reveals itself to listeners over repeated plays. We have the feeling Parker would be just as satisfied with Gendron's work as we are.
ckutmusic on 02/12/2015 at 03:18PM
Josh Zubot is Montreal's man-about-town for violin. Playing everything from free jazz to bluegrass, you can find his name in the credits of countless local projects: Subtle Lip Can, Ensemble Supermusique, Land of Kush, and the list goes on...
But now, Mr. Zubot is giving the violin a different spin. Enter Luke Loseth: the multi-instrumentalist behind Holobody and all-around electronics wizard gave Zubot's violin the special treatment with a healthy dose of live processing. The two musicians had never met before, and in true experimental fashion were put in a room and given the sole instruction of "make something." The resulting piece finds the traditional instrument being taken in a wholly different direction, with layers of effects bending its pitch and timbre into a finale of noisy cacaphony.