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theradius on 06/04/2013 at 08:30AM

Radius PATCH 01: Failure

PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.

PATCH 01: Failure

Episode 04: Art of Failure

8 Silences, part of Art of Failure’s Laps Series, offers a sensible representation of the Internet by broadcasting audio streams that travel and reverberate trough the web. In the style of encephalography, this empirical sound process gives substance to an unstable and intangible digital space. Initially silent, the streams progressively incorporate an infinity of transformations or “errors” that modify the sound as it circulates the network. These alterations are comparable to a form of erosion caused by the network space - they are a key to allow different mental representations of this digital topography. Presented as a live performance, 8 Silences is a sound immersion in the heart of data flows.

Episode 16: Gregory Chatonsky

Gregory Chatonsky's My Hard Drive Is Experiencing Some Strange Noises is the sound of a defective hard drive disk picked up by a contact microphone. The acoustic wave is instantly processed by software that repeats and amplifies the sounds creating a resounding echo.

Episode 18: Imaginary Forces

Imaginary Forces' CT Room is a collage of field recordings taken from various online video chat rooms and instant messenger services. In many of the recordings, the subjects that chose to type responses instead of speak, were unaware that they had left their computer microphones on. In some of these cases, the computer was left on even after the person had stopped chatting. Hart was able to record the sounds of these seemingly empty spaces and the personal conversations that would take place outside the designated chat space.

The compiled recorded sounds have been processed only minimally and arranged into a compositional structure. All sounds used are as recorded, complete with defects due to bit rate/streaming. Once arranged apart from the accompanying visual aspects, the sounds become abstracted from their original context and open up to interpretation. The sounds take on a sinister tone and speak to a certain kind of panopticism; a voyeurism where those being watched are perhaps only subconsciously aware that they are potentially being observed by someone else.



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