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katya-oddio on 05/21/2010 at 02:11PM
Montréal artist Tortue Super Sonic (TSS) brings you his new sonic wave. This wave is generally downtempo, as you will hear on his album, NEOGROTESQUE. You can expect some variations in the mix, such as guitars, synthetic strings, and some interesting experimentation. You will hear a couple outer space themes, an Arab flavored track, a song for robots, and even some luxurious easy listening.
Overall, the vibe of this album is the airy soundtrack to a sophisticated, international, jet set lifestyle. This could easily be library music for scenes of luxury by the pool, space travel, cloak and dagger action. Tortue Super Sonic (TSS) will excite your cinematic imagination.
Enjoy the entire album, NEOGROTESQUE, here on the FMA.
katya-oddio on 05/20/2010 at 12:00PM
Logan Whitehurst began uploading his original songs to mp3.com back in 1997 and gained a strong online following for his music. His quirky songs were regularly played on Dr. Demento and often compared to the likes of They Might Be Giants. Whitehurst was a multi-instrumentalist and an accomplished graphic artist. Tragically, Logan passed away from a brain tumor at the age of 29.
Lee Rosevere of Happy Puppy Records worked with the Whitehurst family to provide the world a posthumous anthology of Logan's work. The 10 song collection, AN INTRODUCTION TO LOGAN WHITEHURST AND THE JR. SCIENCE CLUB, is now available on the Free Music Archive.
katya-oddio on 05/18/2010 at 10:15AM
Move over, Tom Lehrer, with "The Elements," your periodic table classic. There is a new act on the scene. Their name is Matheatre. This time it isn't chemisty; it's mathematics. Marc Gutman and Sadie Bowman have written a touring Calculus musical, Calculus: The Musical!, and continued their clever work with C-Sections (available at the FMA) and Log, A Rhythm. A series of albums to encompass all of Pre-calculus is in the works.
Get your nerd on now! Enjoy C-Sections in its entirety at the FMA!
katya-oddio on 05/14/2010 at 06:15PM
Australian label Patterns Community Sound Centre may not have a website any longer, but they have left a legacy through their recordings. This debut EP by Lagos Disco Machine is testimony. With thumb pianos, effects, and found sounds, the WARM ORANGE EP entertains your ears and brain with organic and electronic sound layers. Lagos Disco Machine is a misleading name, as only one selection is a dance track. In face, track three, "Lord Pear," sounds more like a tribal field recording. For clocking in at about 20 minutes, this EP takes your ears all over the place and back again. Enjoy it here at the FMA.
katya-oddio on 05/06/2010 at 05:34PM
In 2006 on Sascha Müller's trippy Pharmacom-rec netlabel, a serious 2-CD album appeared that excited chill out, new age, space music, and electronica fans alike. The release was the work of Frank Dorittke as "F.D. Project" and was titled MARE TRANQUILLITATIS.
It is a pure, perfect tribute to Berlin School German electronica. Fans of Tangerine Dream, Klaus Schulze, Ashra, Kitaro, or Mike Oldfield will discover a hidden treasure that sounds like Kosmische Musik composed and performed in the late '70s. MARE TRANQUILLITATIS delivers fresh new sounds for fans of the genre.
Prepare for retro futurism. Set your dials back decades, put on your giant headphones, close your eyes and drift off into space with all the cosmic synthesizers, soaring virtuoso guitars, shifting analog sequencer bass lines, Mellotron-style samples, and spacey effects so indicative of the Berlin School.
In MARE TRANQUILLITATIS, Dorittke presents future music from the past created in the present. Just like a mission into deep space, this 2-CD release has the power to remove you from the present world and fill you with wonder.
katya-oddio on 05/05/2010 at 09:00AM
katya-oddio on 04/30/2010 at 04:00PM
From the 1995 press release from the Avant label:
...Bob Ostertag's FEAR NO LOVE. In a radical departure for the composer, winner of a 1995 NEA Composers Fellowship for contemporary music, FEAR NO LOVE features fierce groove-based dance songs. This is funk, but warped through a sensibility honed in fifteen years at the forefront of the avant-garde.
Ostertag has assembled an unlikely and dazzling group of collaborators for FEAR NO LOVE, from rock star Mike Patton (Faith No More) to British guitar pioneer Fred Frith to underground luminaries of San Francisco's queer scene....
FEAR NO LOVE is a disc that pushes all the limits. Almost every track defines its own genre. "The Man in the Blue Slip" is a dance/industrial/gender-fuk/domination-submission love duet. "Not Your Girl" goes in a new-jack-swing/R&B/talking-blues direction. And "Positive", an HIV+/ambient/techno/soul tour de force, may be the first true love ballad of the age of AIDS.
Ostertag's previous work has ranged from All the Rage, written for the Kronos Quartet and premiered at Lincoln Center, to his ground-breaking outside jazz ensemble Say No More, to his solo recordings and collaborations with John Zorn and Fred Frith. FEAR NO LOVE explores even newer terrain. With sharp and edgy queer lyrics, a wide-ranging pop eclecticism, and fierce grooves, FEAR NO LOVE will shake up the dance floor -- and more.
TAGGED AS:avant garde, bob ostertag fred frith phil minton, experimental, bob ostertag, funk, See More...
katya-oddio on 04/29/2010 at 09:30PM
Chan Wai Fat composed this original soundtrack for the play CHILDREN OF THE SOUL MOUNTAIN (LING SHAN) inspired by the daoist pilgrimage in Gao Xingjian's Nobel winning novel SOUL MOUNTAIN (LING SHAN).
Composer Chan Wai Fat visited the minority tribes along part of the Ling Shan path, resulting a re-interpretation of two traditional folk songs and seven new compositions with a mix of native recordings. This album is a selection of songs from the play, sung by elderly blind folk singer Po Sun-yi. Sun-yi was born and raised in Guizhou. This is the same region of southwestern China where composer Fat visited the Ling Shan Path and where Shamanistic customs and traditions still flourish.
katya-oddio on 04/28/2010 at 10:00PM
Nest is a project of fellow pianists and record label operators Otto Totland (Deaf Center / Type Records) and Huw Roberts (Serein). They became friends when they were members of the Miasmah free netlabel. This self-titled EP is their first work publicly released. It is apparently no longer available through Serein since their 2009 rebuild, but has been remastered and incorporated into the album RETOLD. The recording is too good to fade into obscurity, so it lives again now at the WFMU Free Music Archive.
from the original release on Serein:
"Both pianists, there is little wonder that after exploring a plethora of musical styles, the two find themselves most at home writing traditionally structured pieces, with the ivories a major element throughout. The EP demonstrates clearly the innate ability the two have for song writing, borrowing from the world of film soundtracks and contemporary classical composers to craft delicate instrumental compositions.
"Alongside their favoured instrument can be variously heard the plucked strings of the Welsh harp, violins, woodwind instruments, field recordings, percussion and a heady dose of mind wobbling effects. From the time Nest began writing together, one purpose was clear; to produce beautiful music free of pretense, and they do it exceptionally well."
katya-oddio on 04/21/2010 at 04:15PM
This fantastic, energetic concert of free jazz was performed by the Breuss Arrizabalaga Quintet in Frigiliana, Málagua, Spain on 19 July 2003. (Tracks 9 and 10 were recorded in performance in Madrid.) The concert was released as an album, Nfamoudou-Boudougou, on Hazard Records.