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katya-oddio on 05/14/2010 at 06:15PM
Australian label Patterns Community Sound Centre may not have a website any longer, but they have left a legacy through their recordings. This debut EP by Lagos Disco Machine is testimony. With thumb pianos, effects, and found sounds, the WARM ORANGE EP entertains your ears and brain with organic and electronic sound layers. Lagos Disco Machine is a misleading name, as only one selection is a dance track. In face, track three, "Lord Pear," sounds more like a tribal field recording. For clocking in at about 20 minutes, this EP takes your ears all over the place and back again. Enjoy it here at the FMA.
katya-oddio on 05/06/2010 at 05:34PM
In 2006 on Sascha Müller's trippy Pharmacom-rec netlabel, a serious 2-CD album appeared that excited chill out, new age, space music, and electronica fans alike. The release was the work of Frank Dorittke as "F.D. Project" and was titled MARE TRANQUILLITATIS.
It is a pure, perfect tribute to Berlin School German electronica. Fans of Tangerine Dream, Klaus Schulze, Ashra, Kitaro, or Mike Oldfield will discover a hidden treasure that sounds like Kosmische Musik composed and performed in the late '70s. MARE TRANQUILLITATIS delivers fresh new sounds for fans of the genre.
Prepare for retro futurism. Set your dials back decades, put on your giant headphones, close your eyes and drift off into space with all the cosmic synthesizers, soaring virtuoso guitars, shifting analog sequencer bass lines, Mellotron-style samples, and spacey effects so indicative of the Berlin School.
In MARE TRANQUILLITATIS, Dorittke presents future music from the past created in the present. Just like a mission into deep space, this 2-CD release has the power to remove you from the present world and fill you with wonder.
katya-oddio on 05/05/2010 at 09:00AM
katya-oddio on 04/30/2010 at 04:00PM
From the 1995 press release from the Avant label:
...Bob Ostertag's FEAR NO LOVE. In a radical departure for the composer, winner of a 1995 NEA Composers Fellowship for contemporary music, FEAR NO LOVE features fierce groove-based dance songs. This is funk, but warped through a sensibility honed in fifteen years at the forefront of the avant-garde.
Ostertag has assembled an unlikely and dazzling group of collaborators for FEAR NO LOVE, from rock star Mike Patton (Faith No More) to British guitar pioneer Fred Frith to underground luminaries of San Francisco's queer scene....
FEAR NO LOVE is a disc that pushes all the limits. Almost every track defines its own genre. "The Man in the Blue Slip" is a dance/industrial/gender-fuk/domination-submission love duet. "Not Your Girl" goes in a new-jack-swing/R&B/talking-blues direction. And "Positive", an HIV+/ambient/techno/soul tour de force, may be the first true love ballad of the age of AIDS.
Ostertag's previous work has ranged from All the Rage, written for the Kronos Quartet and premiered at Lincoln Center, to his ground-breaking outside jazz ensemble Say No More, to his solo recordings and collaborations with John Zorn and Fred Frith. FEAR NO LOVE explores even newer terrain. With sharp and edgy queer lyrics, a wide-ranging pop eclecticism, and fierce grooves, FEAR NO LOVE will shake up the dance floor -- and more.
TAGGED AS:avant garde, bob ostertag fred frith phil minton, experimental, bob ostertag, funk, See More...
katya-oddio on 04/29/2010 at 09:30PM
Chan Wai Fat composed this original soundtrack for the play CHILDREN OF THE SOUL MOUNTAIN (LING SHAN) inspired by the daoist pilgrimage in Gao Xingjian's Nobel winning novel SOUL MOUNTAIN (LING SHAN).
Composer Chan Wai Fat visited the minority tribes along part of the Ling Shan path, resulting a re-interpretation of two traditional folk songs and seven new compositions with a mix of native recordings. This album is a selection of songs from the play, sung by elderly blind folk singer Po Sun-yi. Sun-yi was born and raised in Guizhou. This is the same region of southwestern China where composer Fat visited the Ling Shan Path and where Shamanistic customs and traditions still flourish.
katya-oddio on 04/28/2010 at 10:00PM
Nest is a project of fellow pianists and record label operators Otto Totland (Deaf Center / Type Records) and Huw Roberts (Serein). They became friends when they were members of the Miasmah free netlabel. This self-titled EP is their first work publicly released. It is apparently no longer available through Serein since their 2009 rebuild, but has been remastered and incorporated into the album RETOLD. The recording is too good to fade into obscurity, so it lives again now at the WFMU Free Music Archive.
from the original release on Serein:
"Both pianists, there is little wonder that after exploring a plethora of musical styles, the two find themselves most at home writing traditionally structured pieces, with the ivories a major element throughout. The EP demonstrates clearly the innate ability the two have for song writing, borrowing from the world of film soundtracks and contemporary classical composers to craft delicate instrumental compositions.
"Alongside their favoured instrument can be variously heard the plucked strings of the Welsh harp, violins, woodwind instruments, field recordings, percussion and a heady dose of mind wobbling effects. From the time Nest began writing together, one purpose was clear; to produce beautiful music free of pretense, and they do it exceptionally well."
katya-oddio on 04/21/2010 at 04:15PM
This fantastic, energetic concert of free jazz was performed by the Breuss Arrizabalaga Quintet in Frigiliana, Málagua, Spain on 19 July 2003. (Tracks 9 and 10 were recorded in performance in Madrid.) The concert was released as an album, Nfamoudou-Boudougou, on Hazard Records.
katya-oddio on 04/16/2010 at 09:00AM
Brazillian pianist Felipe Sarro performs Opus 25 Alleluia and Opus 31 Préludes by French Romantic composer Charles-Valentin Alkan.
Alkan, one of the greatest virtuoso pianists of his day, was a friend and contemporary of Franz Liszt and Frédéric Chopin. He was a child prodigy, entering the Paris Conservatoire at the age of six. Alkan was a favorite of his teacher, Joseph Zimmermann, who also taught fellow composers Georges Bizet, César Franck, Charles Gounod, and Ambroise Thomas. In his twenties, Alkan was a famous virtuoso and teacher in elegant social circles. Liszt once stated that Alkan had the finest piano technique of anyone he knew. This Romantic composer was a luminary of his time.
Felipe Sarro began his musical training at the age of eight and studied at Academia Musical Fátima and Santa Cecília Musical Conservatory. In this album on the FMA, Sarro performs Alkan's Opus 31 Alleluia (1844) and Opus 25 Préludes dans touts les tons majeur et mineurs (1847) in entirety.
katya-oddio on 04/12/2010 at 05:32PM
The city blocks have the hypnotic power to lull you off to sleep. Don't do it. Do not slip away into the sleep. It's too dangerous. You can't sleep on the train. Wake up. Vulnerable, too vulnerable, wake up, missing your stop, wake up, traveling to unknown districts, and then the startling wake up call, el despertar.
katya-oddio on 04/09/2010 at 05:09PM
Hugo "Droopy" Contini delivers hard bop from Lorraine, France to the WFMU Free Music Archive on US National Jazz Day. Contini is part of the RawBounce Records collective and the alto sax man for The Real Dealers.
Once after rehearsal, the band had the space for a few more hours, so they recorded the album, Surpriscording now hosted at the FMA.