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andrewcsmith on 08/13/2010 at 09:00AM

Perfect/Imperfect: Duane Pitre, coming to IPR's ImpRec courtyard show this Sunday

Electric guitarist and composer Duane Pitre, by Lauren Cecil

Duane Pitre, performing on the same bill as Master Musicians of Bukkake with Important Records in the courtyard at 2 p.m. this Sunday at ISSUE, tends toward calm and extreme concentration. His electric guitar is usually tuned to some form of just intonation—a tuning schema where all notes are whole-number ratios of some single pitch center—and he often plays it with a bow. This is the case in his newly released album Origin, on Root Strata, featuring an ensemble of bowed and retuned guitars. Pitre also curated an album of works in just intonation called "The Harmonic Series," released on Important Records in 2009.

At its peak, his music is a contiguous mass in which everything is shifting but nothing moves. In fact, it seems that the composer is absent, save for a few notes: a three-sentence score (printed on the album page, and after the jump) provides the underpinnings of an entire work, the rest to come later. But the composer is far from absent in these works. Pitre plays in nearly every performance of his music (as he will on Sunday), usually alternating between Niblockean drones and freely rhythmic figures (as in "Feel Free," at Zebulon in Brooklyn, after the jump).

The piece below, Perfect/Imperfect, is from Pitre's Artist-in-Residency at ISSUE in Spring 2009. Perfect/Imperfect is, on an aural level, a "focus-piece, a concentration-piece, for both performers and audience." In it, the string players each match a computer-generated sine tone—that steadfastly and coldly stable stalwart of computer music—and as the humans' pitches fluctuate a few hertz one way or the other the entire room seems to shift and spin. On a conceptual level, the piece is about the strive for perfection among imperfect beings: whether a computer or human can "do the job better." On a human level, the piece is a welcome respite from the "50+ hours" that Pitre said he spends in front of a computer every week. It's these imperfect, human fluctuations that make the music move.

The score for Perfect/Imperfect in its entirety:

Bow a violin (or instrument from the violin family) to match a predetermined electronic sine tone pitch as closely and steadily as possible, without vibrato.

This “pairing process” can be carried out once or multiple times, by a solo performer or by multiple performers, in the same pitch or in different pitches, and arranged however one chooses.

The amount of times that this process is carried out within a recording or live performance determines the (x numeral) in its title.

Duane Pitre @ Zebulon NYC 05.30.10 (excerpt) from Duane Pitre on Vimeo.

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Comments

01
jason on 08/13/10 at 01:11PM
this piece is helping me get in the zone for this morning...and for Sunday's courtyard show! Duane Pitre shares the bill with some of my favorites like Master Musicians of Bukkake, Jozef Van Wissem, Helena Espvall + Fursaxa, Arborea, Cave
02
andrewcsmith on 08/13/10 at 05:41PM
Yes! Tons more music up on Matthew's post from last week, as well: http://freemusicarchive.org/curator/ISSUE_Project_Room/blog/Important_Records_in_the_Courtyard
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