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REGISTERED:01/23/2009
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katiskelton on 01/10/2012 at 03:00PM

Farewell Party with Jonathan Kane's February, Talibam!, MV Carbon & Tony Conrad

ISSUE is starting off the New Year with a change of scenery. That's right, Issue Project Room is moving out of our space at the Old American Can Factory and into 110 Livingston in Downtown Brooklyn. We've had a great run at the Can Factory, so we're going to say goodbye to Gowanus in style on Friday, 1/20 with a Farewell Party featuring Jonathan Kane's February, Talibam!, and MV Carbon & Tony Conrad. BUT WAIT: not only does this promise to be a killer party with some insane performances, but we will also be debuting February's first live album, recorded in a two-day event at ISSUE last year. Here's a sneak peak--check out "Blissed Out Rag," which, despite its title, is way more blues than rag (but it may be the first time that straightforward guitars-and-drums blues has ever been "blissed out," thanks to Kane's unrelenting railway drive on drums and four layered guitars), and get tickets ($15 | $10 members) for the party here.

 

Jonathan Kane is a Downtown NYC legend — as co-founder of the no-wave behemoth Swans, and the rhythmic thunder behind the massed-guitar armies of Rhys Chatham and the rock excursions of La Monte Young and one of the hardest-hitting drummers on the planet. February takes minimalism and blues to the crossroads with “the unadulterated thunder of a parched desert” (Time Out NY, 2009). The band recorded their first live album in a two-day event at ISSUE last year, to be released through ISSUE Project Room Editions.

“Wedding the brutal severity of Delta country boogie and Seventies German pulse rock – all dead-ahead motion and mounting detail…Epic.”
Rolling Stone

“Somewhere between Sonic Youth and Steve Reich is the drummer Jonathan Kane. Interested in the crossroads of new-music iconoclasm and experimental rock, he has a drummers sense of steady dynamic development and an unapologetic love of noise. Virtuosic”
New York Times

“Intensely propulsive motorik blues, its muscularity and greased relentlessness is never less than exhilarating”
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