ISSUE Project Room : an open and versatile environment in which established and emerging artists conduct, exhibit and perform new and site-specific work
About ISSUE Project Room
katiskelton on 01/19/2012 at 02:00PM
On January 25, ISSUE Project Room will inaugurate its new space at 110 Livingston with Gaudeamus Muziekweek, a four-day festival celebrating groundbreaking and challenging new music by emerging composers from around the world. Working in partnership with Gaudeamus, ISSUE Project Room will present, for the first time in the United States, a series of performances highlighting some of the extraordinary talent that has emerged from the festival.
January 26 is dedicated to electronic music, featuring Dutch musician Wouter Snoei, an authority on 192-channel "wave-field" synthesis techniques. New York-based electronic artist Matthew Ostrowski will also perform, as well as the duo R WE WHO R WE, a collaboration between New York composer-performers Philip White & Ted Hearne.
Ted Hearne was awarded the Gaudeamus International Composers Award in 2009 for his Katrina Ballads, a 65-minute dramatic song cycle adapted entirely from primary-source sound bites from the newsweek following Hurricane Katrina. Hearne chops and manipulates the utterances of politicians, celebrities, survivors and relief workers as broadcast by 24-hour disaster coverage and reworks them into an oratorio for 11 instrumentalists and 5 singers. Take a listen to the multistylistic "Brownie, You're Doing a Heck of a Job" (culled, obviously, from Bush's famous declaration to former FEMA director Michael Brown five days after the hurricane ripped through New Orleans).
R WHO WE R WE takes a similar course of lyrical and sonic reformulation of popular media sources but reapplies the critique to pop music. Hearne and collaborator Philip White deconstruct songs by Michael Jackson, Ke$ha, Eminem and others and reorder them into schizophrenic lyrical poems. Come see for yourself (and check out our brand-new space!) on 1/26! You can get tickets here.