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chgrasse on 12/14/2013 at 08:14PM

Best Of Breitband Vol. 6

Best Of Breitband Vol. 6 (ssoosay, cc-by)

It's been quite some time since we curated one of our Best Of Breitband Compilations. Finally, here it is: Vol. 6 is ready to go on your player, smartphone, computer or wherever you may listen to music! Best Of Breitband Vol. 6 is a compilation of songs that have been featured on our radio show and podcast "Breitband", a weekly show on new media and digital culture, airing every Saturday at 2pm on German Public Radio Deutschlandradio Kultur. Every week, we play six tracks of music that can only be found on the web, most of it comes with a Creative Commons licence, allowing everyone to share the songs. We hope you will enjoy the 24 songs that are somewhere between Indie, Pop, Electronic, Folk and Hip-Hop.

BEST OF BREITBAND VOL. 6

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La_bl_netlabel on 12/11/2013 at 01:19PM

Nick Rivera - "Zamalek"

Zamalek is an island in Cairo in the middle of the Nile, but also a neighbourhood, something in between. This album by Nick Rivera is about the sky you can't see from this island and the things that swim in it. Zamalek is a warm cuddle from your trusted friend, a fist in the nape from your best enemy.

Via La bèl netlabel » Visit Blog » 0 COMMENTS Share
TAGGED AS:
folk, acoustic, rock, indie
10khrs on 12/09/2013 at 04:15AM

New Tracks: Ilgenfritz & Van Houdt with Braxton, Oliveros, Marclay, López

On Thursday December 12, Interpretations presents an evening of premieres and classic works from distinctive solo instrumentalists. Bassist James Ilgenfritz presents solo and chamber music by Anthony Braxton & Pauline Oliveros, plus two world premieres by Annie Gosfield, and JG Thirlwell, and an improvisation with Jason Ponce. Esoteric pianist Reinier Van Houdt presents the US Premiere of Italian avant-garde composer Walter Marchetti’s new solo piano work Concerto per la Mano Sinistra in un Solo Movimento (Concerto for the Left Hand in One Movement).

Interpretatons would like to share some works by these artists! James Ilgenfritz on two tracks, one performing the music of Anthony Braxton, and one performing duo with Pauline Oliveros. Reinier Van Houdt can be heard on two tracks, performing music by Christian Marclay and Francisco López.


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ange on 12/06/2013 at 04:00PM

Get the FMA App for iPhone

The Free Music Archive now has our own iPhone app! Download it here (or search "FMA" in the app store), and enjoy our library of 65,000 free and legal tracks on your iPhone. The app lets you explore music by genre, listen to the song of the day, check out hand-picked mixes, and share and download until your thumbs go raw.

The app is compeltely free, but we need your help to spread the word. Please write us a friendly review in the iTunes store. Since this is a brand new app, your review will do a ton to help improve our rankings and discovery so more folks can learn about what we do. We'd also love to hear your candid and technically specific feedback over e-mail. We know the app has its flaws, and we have grand plans for version 2.

If you have any technical questions about using the app, check our our app support page.

Don't fret Android users! We're busy seeking funds to make an Android app possible. In the meantime, one of our fans made you this.


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ange on 11/28/2013 at 12:45AM

Support Free Music Makers & Friends

While scooping generous heapings of food into your plate this Thanksgiving, here are a few more ideas for what to do with all your do-good feelings. A few Free Music Archive artists and friends are amid interesting crowdfunding campaigns worth a quick shout out. Plus, all three offer incredible releases worth discovering here on our site.

1) FREAK FANDANGO ORCHESTRA

Crowdfunding Mission: Save the world! Also, making a new studio album with great songs to brighten your day.

Free Releases: This Barcelona street orchestra offers 2 free albums mixing east european folk music, polka, gypsy music from the Balkans, with a dose of punk-rock.

2) IONOSONDE RECORDINGS 

Crowdfunding Mission: Creating their first first physically released CD, written and produced by sound artist Telegraphy. It will contain 7 tracks of dub techno, IDM and ambient soundscapes.

Free Releases: 15 free releases form a netlabel from Detroit Michigan U.S.A. that focuses on experimental, ambient, sound collage, and electronic music.

3) CASH MUSIC

Crowdfunding Mission: Creating a sustainable future for music through a series of summits. Summit events bringing together musicians and technologists in ATL, CHI, NYC & SEA for new ideas, conversations, and workshops.

Free Releases: Many! Including Thank You CompCalexico: Live in Nuremberg & Kristin Hersh: Crooked Beginnings 

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ange on 11/25/2013 at 01:00AM

Shooting Stars: Stellar Instrumentals

Cool and crisp digital sounds that twinkle and sustain. A collection of songs for space travel and stargazing. Perfect for sci-fi projects, video games and jet pack instructional videos.

DOWNLOAD THE ENTIRE MIX

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turnmeondeadman on 11/20/2013 at 01:47AM

Conspiracy A​-​Go​-​Go: Garage/Punk/Psych About the JFK Assassination

Over the years many songs that reference the JFK assassination have been written and recorded. I have compiled a list of these songs on the Turn Me On, Dead Man website. In doing that I got the idea to ask current garage, punk and psychedelic bands if they would like to contribute a track to a new compilation of JFK songs. Conspiracy A-Go-Go is the result. Several of these songs were previously unreleased and all but five of the tracks have been released since 2010. As the 50th anniversary of the JFK assassination approaches, it is clear that this event is still very much in the popular mind.

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sardanpavlov on 11/18/2013 at 06:45PM

YlangYlang's Fantasmagories EP, on Jeunesse Cosmique

Check out the most recent EP from Montreal imprint Jeunesse Cosmique co-proprietor Catherine Debard, a short collection of freeform ambient psychedelia featuring Eddie Wagner on the opening track. Debard also has a new A Sacred Cloud LP out with fellow JC co-proprietor Chittakone Baccam, currently available on LP via Jeunesse Cosmique after a successful cassette edition through Arachnidiscs Recordings. 

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MeghanM on 11/13/2013 at 03:45PM

Tehran to Brooklyn: The Story of the Yellow Dogs (for Obash, Koory and Ali Salehezadeh)

Photo by Meghan McKee

Yesterday I receive a message from one of WFMU's engineers alerting me to the news that two members of The Yellow Dogs were among three Iranian musicians shot to death in East Williamsburg. I had no idea at this point that my heart was going to break in two. I spent the entire morning trolling every news source hoping the story wasn't true. I was holding my breath and praying that my friends The Yellow Dogs were safe.

I will never forget the first time meeting the band. I met up with Ali Salehezadeh at one of their concerts at Union Pool. Ali introduced me and my friends to the band. We saw them play and was blown away with the energy. The only song I knew of theirs was from the movie No One Knows About Persian Cats, so to finally hear something new to my ears blew me away. They were the perfect mix of old and new. The scene at the show was young and energetic. We stood around the fire pit in the courtyard with everyone, and you could sense the community that was part of this band.

When I had the Yellow Dogs come to do a live session for me June 2012, they were so excited to be coming to WFMU and were so thankful for the opportunity. Little did they know that I was more excited that they were going to do a live session on my show. You could feel the band's energy. They were so happy to be playing music and that other people were equally excited about it. At this point, they had a different drummer.

Ali and I were trying to put together a possible session with Ali Eskandarian and the Free Keys who had just moved over from Iran. I knew of the Free Keys from the movie as well, so I was curious as to what they were doing now. Sadly, we never did get the dates to work for Ali Eskandarian.

The next time in the studio we recorded the Free Keys, who had Arash Farazmand as their drummer, Looloosh's (Soroush Farazmand) brother. I got to sit down with the Yellow Dogs and do an interview during this session and it was wonderful. It was the easiest most relaxed interview I had ever conducted. So easy going. I knew at this point that these guys were going to be in my life always. It was such an easy connection.

Throughout the months after, I had run into Obash, the singer, at his job bartending and saw the band play at an art opening for their friends who are stencil artists named Icy and Sot. I wish I could have bottled up the energy and excitement from that night. So much fun, so much laughter and yet again, I saw the amazing people they surrounded themselves with. Youthful, carefree and happy.

Looloosh and Arash always had smiles on their faces. You could tell they were living the life. They gave off the impression that they were so happy to be where they were doing what they were doing. They had risked so much to get to this point and to finally be able to play their music without fear. This is what I will remember about them and I am glad to have known them. My heart goes out to their family back in Iran. My heart also goes out to Obash, Koory and Ali. I am relieved to know they are safe and have already let them know that I am there for them. Thank you for your amazing memories. I am so glad to have been a part of your world.

Donate Here to Help the Surviving Friends and Families of the Yelllow Dogs & 318 Maujer


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10khrs on 11/08/2013 at 04:47AM

A Song Cycle in 13 Breaths: "Breathtales" by Ann LeBaron

On November 14 Interpretations presents the world premiere of Anne LeBaron's "Breathtails," as well as a handful of other amazing works - including the New York premiere of Los Murmullos, and the US premiere of Creación de las Aves, both written for pianist Ana Cervantes.

We have posted two pieces of music from Anne LeBaron, and we asked Anne a few questions about her career and the works presented on this concert.

What is the story with your new opera "Breathtails"?

Actually it’s not an opera although everyone seems to want to call it that, so maybe it is after all! We are calling it ‘a song cycle in 13 breaths.’ When Tom Buckner invited me to compose a work for him with my choice of text (living or deceased writer, or write it myself) and instrumentation, I immediately knew that I wanted the poetry to focus on the breath, and that the shakuhachi, with its haunting breath-infused sonorities, would be central to the ensemble. What a rare opportunity---a coveted chance to collaborate in a non-operatic context (and thus dispense with all the baggage that such endeavors can sometimes entail) and to tailor the composition for a singer whom I greatly admire. The choice of string quartet, to complete the ensemble, was made intuitively—a united front that would function alternatively and at times simultaneously as a foundation, a foil, and a Greek chorus.


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