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cheyenne_h on 03/16/2015 at 08:45AM

CC Webinar for Musicians March 19!

public domain image via Wikimedia Commons

Hi FMA'ers of the musical type!

If you are a musician, remixer, or audio producer, you might have some questions about how to use Creative Commons licenses and works that use them. Have no fear! Eric Steuer and Cheyenne Hohman will guide you through the basics of using CC-licensed work for music. We'll also have time for Q&A after. 

The webinar will be broadcast live on the web, via our YouTube Channel, on Thursday, March 19th at 4 p.m. Eastern. 

Special guest and Creative Commons expert Eric Steuer will be co-hosting with Cheyenne. We'll show you around the Free Music Archive (including where to find license information), run through the basics of Creative Commons licenses and how to use CC tracks in various multimedia contexts, and show you how you can license your work under Creative Commons (spoiler: it's easy!). 

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cheyenne_h on 03/12/2015 at 09:30AM

Radio Free Culture #41: Jonathan Ward, Audio Archaeologist

WFMU and the Free Music Archive are proud to bring you a fresh episode of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. 

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke to Jonathan Ward, the collector and FMA curator behind Excavated Shellac, a blog which has shined a light on 78s from around the world. He has helped create Excavated Shellac: Strings (Guitar, Oud, Tar, Violin and More from the 78rpm Era) and Opika Pende: Africa at 78 RPM (Recordings from 1909-1960s) on Dust To Digital Records

Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture via iTunes, or listen right here!  

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cheyenne_h on 03/11/2015 at 09:45AM

Radio Free Culture #40: microSong Super Special

via Wikimedia Commons

WFMU and the Free Music Archive are proud to bring you a BONUS episode of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. 

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, whisks you through 19 microSongs in 7 minutes, and tells you about WFMU's annual fundraising marathon which is going on now. 

Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture via iTunes, or right here:  

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cheyenne_h on 03/06/2015 at 12:30PM

The Bestest microSongs Ever!!!

Hey! We haven't forgotten that we're launching a contest and haven't announced the winners from our microSong Challenge yet... UNTIL NOW! 

Ladies, jellybeans, and other creatures, we are proud to present to you, the winners of the 2015 Free Music Archive microSong Challenge

First Prize: Breakmaster Cylinder feat. Dislotec: Paint Your Grandma's Portrait
Second Prize: Lee Rosevere: Summers Playing Pinball
Third Prize: Ian Alex Mac: I Hate Buses

Though we also had a TON of honorable mentions:

Kollagemontage
Squire Tuck
Stereo Akt
Pipe Choir
Troy Holder
Szabi
Neblung Price
getoffloops
Room 34
Greg Reinfeld
Nick Fraelich
Jazz Kissingers
B2B
Deep Soda
Uncle Milk
Another Cultural Landslide

Congratulations to all who participated, won, and had fun! 

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cheyenne_h on 03/05/2015 at 04:45PM

Who Will Remaster the Masters?

original image from Wikimedia Commons

Ever thought Wagner’s “Ride of the Valkyries” would be better as a speed-metal guitar solo? Or perhaps Tchaikovsky’s “1812 Overture” would sound great performed by a kazoo-and-firecracker ensemble? What about “In The Hall of the Mountain King” as a chiptune odyssey?

Great ideas, right?! We know.

We want these things to exist. And we need your help in this Masters Remastered Challenge!

First, choose a composition from the public domain. If you’re stumped (or can’t remember the original name of the composition), check the list below for some ideas. Though you can find sheet music in a variety of places, we recommend the Petrucci Music Library, which indicates public domain status of its contents. Entries will be released back into the public domain with a CC0 license, so that others can use them, too. But make these your own. Remix them, play them with instruments the composers couldn’t have dreamed of, make them as long or short as you want. Do as many (or as few) as you please.

Here are some recommended pieces you can extract from, re-work, play backwards, etc, that are in the US public domain. We've included links to the sheet music and at least one downloadable file that you can riff on:

BachToccata & Fugue - listen here - archive.org - wikimedia
BeethovenSymphony no. 9: Ode to Joy - listen here - wikimedia - freesound
BizetToreador Song - listen here - wikimedia - archive.org
GriegIn The Hall of the Mountain King - listen here - freepd - wikimedia
OffenbachOrpheus in the Underworld - listen here - wikimedia
PonichelliDance of the Hours - listen here - wikimedia (BY-SA)
RossiniWilliam Tell Overture - listen here - wikimedia
Tchaikovsky1812 Overture - listen here - wikimedia
WagnerRide of the Valkyries - listen here - archive.org

If you submit a song that isn’t on the list, please make sure it is in the public domain before you proceed. Submissions that are not in the public domain in the U.S. won't qualify for judging.

We'll accept entries from March 9 until April 3, 2015

One winner will be chosen by our panel of judges, and they will win a Moog Etherwave Theremin and a "Classical As F*ck" shirt from Le Poisson Rouge

The Masters Remastered Challenge is supported in part by a grant from the National Endowment for the Arts

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cheyenne_h on 03/05/2015 at 09:00AM

Radio Free Culture #39: Inside LizB's Playlist Labyrinth

"Transmitters-5" by Adam Bowie. 2011. CC BY-NC-SA via flickr.

WFMU and the Free Music Archive are proud to bring you a fresh episode of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. 

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke to FMA mixmaster and WFMU DJ Liz Berg, about how and why she mixes up a new hour's worth of FMA gems every week. Her podcast is available via her WFMU playlist page and iTunes.  

Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture via iTunes, or right here: 

 

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cheyenne_h on 02/26/2015 at 09:00AM

Radio Free Culture #38: Wishing You A Happy Fair Use Week with Ellen Duranceau

"Transmitters-5" by Adam Bowie. 2011. CC BY-NC-SA via flickr.

Happy Fair Use Week 2015! WFMU and the Free Music Archive are proud to bring a special episode of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts, for this occasion. 

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke with Ellen Duranceau, a librarian at the Massachusetts Institute of Technology and copyright/fair use expert. We talk about the four elements of fair use, how to determine if your use is fair, and talk about other issues around the edges of copyright, music, technology, and more. For more info, try fairuseweek.org, the Fair Use Week tumblr, or check out this Fair Use cheat sheet

Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture via iTunes, or listen here: 

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cheyenne_h on 02/24/2015 at 11:00AM

It's Fair Use Week 2015!

We know copyright is in need of some, ahem, reforms. But did you know that there's some wiggle room built in to the US Copyright Statute? This Thursday's Radio Free Culture will have a whole show dedicated to it. But until then, you might want to check out some of the resources, musings, and more related to fair use! The official definition of Fair Use is as follows: 

Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair.

  1. The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes
  2. The nature of the copyrighted work
  3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  4. The effect of the use upon the potential market for, or value of, the copyrighted work

But that's not very exciting, is it? Here are some ways that it's generally safe to use things that are still under copyright:

  1. Criticism and comment -- for example, quoting or excerpting a work in a review or criticism for purposes of illustration or comment.
  2. News reporting -- for example, summarizing an address or article, with brief quotations, in a news report.
  3. Research and scholarship -- for example, quoting a short passage in a scholarly, scientific, or technical work for illustration or clarification of the author's observations.
  4. Nonprofit educational uses -- for example, photocopying of limited portions of written works by teachers for classroom use.
  5. Parody -- that is, a work that ridicules another, usually well-known, work by imitating it in a comic way.

Here are some examples of Fair Use in action! 


READ MORE
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TAGGED AS:
fair use week, fair use
cheyenne_h on 02/19/2015 at 09:00AM

Radio Free Culture #37: Playing in the Public Domain with Nicky Case

image courtesy of Nicky Case, from the Coming Out Simulator

WFMU and the Free Music Archive are proud to present a new season of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. 

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke with Nicky Case, a game developer who has chosen to license everything under CC0, a 'public domain' license available via Creative Commons. We talked about recent work, including the Coming Out Simulator, the Parable of the Polygons, the Public Domain Jam, and more! 

Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture via iTunes, or listen right here: 

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ckutmusic on 02/12/2015 at 03:18PM

Joshua Zubot & Luke Loseth on If You Got Ears

Josh Zubot is Montreal's man-about-town for violin. Playing everything from free jazz to bluegrass, you can find his name in the credits of countless local projects: Subtle Lip Can, Ensemble Supermusique, Land of Kush, and the list goes on... 

But now, Mr. Zubot is giving the violin a different spin. Enter Luke Loseth: the multi-instrumentalist behind Holobody and all-around electronics wizard gave Zubot's violin the special treatment with a healthy dose of live processing. The two musicians had never met before, and in true experimental fashion were put in a room and given the sole instruction of "make something." The resulting piece finds the traditional instrument being taken in a wholly different direction, with layers of effects bending its pitch and timbre into a finale of noisy cacaphony. 

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