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pushbinlou on 06/23/2009 at 04:23PM

Ears Wide Open: Jeva

artwork by Jeva

Jeva is another cool electronic artist that I recently found out about here on FMA.  Jeva (Scott Partridge) is a visual artist (an example of his work is posted here) and musician based out of North Carolina.  Jeva's tracks have a cool loungey vibe with lots of great samples that remind me of artists like Mr. Scruff and Kid Koala.  The tracks are also reminiscent of Jeva's artwork which is very playful and carefree.  Check out "cestsoir" featured here as well as tracks like "outotune", "babyface" and "daylitesavingtime".

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longrally on 06/23/2009 at 03:12PM

Glows In the Dark Live on WFMU

Sc-cr-wfmu A few weeks ago I had the pleasure of hosting Richmond, VA's Glows in the Dark on WFMU.  Representing a nice little active scene in Richmond, Glows exists on an axis where avant jazz and film soundtracks meet.  And while that may sound on paper like it could be a mess, in reality the seamlessness between the two styles is pretty astonishing.  So when I marveled to guitarist/chief songwriter Scott Burton at the audible effortlessness of moving between driving four-on-the-floor beats to free scree to lounge music to creeping horror film scores, he confessed that the band spends a lot of time working on transitions.  That work pays off. 

The comparison that Glows brings to mind is a less bludgeoning version of John Zorn's Naked City, yet I can't help but position Glows as part of a tradition of jazz's relationship to the movies, whether it's the appearence of countless big bands in talkies during the Ellington/Basie era, to Miles Davis's soundtrack Ascenseur pour L'Echafaud and Herbie Hancock's The Blow-Up, to the funk jazz of blaxploitation and crime films and beyond.  Check out their album, Music to Listen to Glows in the Dark By.  Someone should hire this band to score their next film!  Thanks to Sean Austin for engineering.

The Long Rally; Air date: June 10, 2009; Engineer: Sean Austin

Scott Burton, guitar, composition; Scott Clark, drums; John Lilley, sax; Reggie Pace, trombone; Cameron Ralston, bass

Full set here on the Free Music Archive

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herr_professor on 06/22/2009 at 07:29PM

A Matter Of Professional Courtesy

Live at Blip Festival 2007

The last few posts, we have been slowly focusing on more pure chiptune artists. These are artists who eschew post production, and focus on things that are more in the spirit of the original game programmers limitations. Philadelphian Alex Mauer's approach to game music is measured, methodical, scientific, and extremely heartfelt. First arriving on the scene with Blast, a soundtrack for a game that never was, started by Mauer when he was only a child, is innocent yet very sophisticated. He has carried this moody style into his later works, acrossvarious platforms and styles, culminating in creating what the scene is calling "Rom Albums". The concept takes game music full circle with music and graphics created by Mauer and distributed on actual honest to goodness NES Cartridges.

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lawrence_kumpf on 06/22/2009 at 05:42PM

Climax Golden Twins

My Friend Rain (Sub Freq)

Last week ISSUE hosted Rob Millis and Jeffery Taylor collectively known as Climax Golden Twins. Climax Golden Twins is a Seattle, WA based experimental collage outfit originally consisting of Rob Millis and Jeffery Taylor, then picking up Scott Colburn in 1996 (not included on this posting). The group’s earliest material was recorded in 1993 but wasn’t released until their 1996 album Imperial Household Orchestra. In 1994 they started Fire Breathing Turtle to distribute their work along with audio exotica, especially their ongoing “Victrola Favorites,” complations of rare 78s from around the world. With numerous tapes, CDRs, mini-CDs, singles, side and solo projects, audiophile records and other aural collectables, being a CGT fan is no simple, or inexpensive, task.

In addition to an amazing performance Rob also screen some Sublime Frequencies films: Indian at 78, My Friend Rain and Phi Ta Khon: Ghosts of Isan. Both projects, CGT and Rob’s films, offer a new approach to the field of ethnomusicology one which squarely roots the subject within the practice of observation.  During Phi Ta Khon, a film documenting a three-day party in Isan, Thailand, you often see the hand of the cameraman reaching around from behind the camera for shots of rice whiskey as well as festival-goers engaging directly with the camera.  Much like the CGT project, which gains its sound from a wide array of musical traditions and then uses college to reorder them, Rob’s films refuse an objective documentary approach.

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BTurner on 06/22/2009 at 11:44AM

Sunn o))) live at Primavera

 (photo from Oscar Garcia's Flickr) Live on the ATP stage at Primavera Sound, Barcelona, Spain May 29th, 2009, 10:30-11:15PM, during WFMU's three day broadcast of performances. Recorded by Brian Turner on Sony D-50 PCM wav recorder; Sunn o))) that night was the duo of Greg Anderson and Stephen O'Malley, performing their Grimmrobe Demos (originally from 1999) in entirety.

21 sets from WFMU's stand at the fest are archived for streaming here (including Wooden Shjips, Vivian Girls, th' Faith Healers, Spectrum, St. Etienne and more), while some of those have been approved for MP3 download here (including the Vaselines, Bats, Dan Deacon and more).

>> More Sunn o))) on the FMA

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jason on 06/22/2009 at 10:21AM

Brian Joseph Davis' new album is CD-less and free

<-- This is an actual advertisement for the new Brian Joseph Davis album, "Intro and other instrumental works". It was going to be a CD, but, as Brian writes over at

"Halfway through designing the CD sleeve for what was going to be my second, mass produced release I stopped and thought: something about this does not seem all that interesting. I used to make CDs as art jokes...Over the last couple of years I’ve been making art jokes in front of actual people, in galleries and performance spaces. That is far more satisfying than anything else I’ve done and putting it on a CD and then sending it off on its way to navigate the increasingly brutal waters of music retail would be myself losing track of the joke."

The new album consists of three live instrumental pieces. The title track (below) is subtitled "Work For 10 Boom Boxes and 10 Tapes of Hardcore Intros". It starts out teasing hardcore then morphs into sludge, drums massaged out into an undulating drone, then cycling back. The second track is a metal take on Alvin Lucier, titled Alvin Lucifer. And the final track, a piano piece, was commissioned by the New York Miniaturist Ensemble who "perform a repertoire of works consisting of one hundred notes or less".

Brian's previous art jokes have included

- the sound of banned albums set aflame

- passerby recreating a classic song from memory (Yesterduh)

- Original Soundtrack, composed entirely from DVD title menu loops

- "Johnny", a compendium of lines from films that have the word “Johnny” in them.

Check out more from BJD here on the Free Music Archive. And while you're at it, I recommend checking out Blocks Recording Club, the label who's doing promo for BJD's free album. They've also kicked off a free digital singles club, featuring The Torrent, which you can sign up for at

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BTurner on 06/21/2009 at 06:41AM

The Bats: Live at Primavera Sound

Caravan184k Christchurch, New Zealand's Bats were a perfect hour's accompaniment to a sunny afternoon Primavera Sound fest in Barcelona (where WFMU broadcast for three days from May 28-30). Since 1983, the steady lineup of Kaye Woodward, Paul Kean, Malcolm Grant and Robert Scott (who was also a founding member of the Clean) have specialized in a distinct brand of delicate and surging electric folk-pop which sometimes got them tagged as the Kiwi answer to early 80's R.E.M. However, the Bats drew from a much more varied well (influenced by everything from the Troggs to Stereolab and onward), and kept their recording and touring lives relatively simple yet steady (with breaks for having kids, solo projects, and the occassional Clean reunion).

They've been long regarded a seminal core band of the Flying Nun label universe, with critics and fans alike continually heralding them throughout their long history. We've been longtime fans and friends here at the station, the band even put out a Live at WFMU 7" single on Merge back in 1994. Their latest, the Guilty Ones, is out now on Hidden Agenda, and we're happy they've agreed to let us archive their great Primavera set for download.

20 of the Primavera sets WFMU carried are archived for streaming here, by the way, and a few of those bands have OK'd downloads, which you can check out here in the Free Music Archive Primavera Sound collection.

>> The Bats - live on WFMU at Primavera Sound, Barcelona, May 28, 2009

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longrally on 06/20/2009 at 09:11PM

Aaron Siegel, Katherine Young, Alex Chechile, Woody Sullender, Matt Bauder, Jeremiah Cymerman Live Improv on WFMU

IMG_4713 About a year ago, when I started in earnest to feature live improvisational music on The Long Rally, I had a grandiose vision of how it might ultimately go down.  I imagined a weekly rotating door with musicians of all genres and personalities coming by to improvise live at 11pm in casual self-appointed groups: locals with out-of-towners passing through, adventurous rockers and noize dudes with straight up jazz musicians, the drone with the lyrical, the acoustic with the electric and electronic, the classically-trained with the self-taught. Sometimes a gumbo's just a gumbo, and sometimes it's the best fucking food you've ever tasted in your life.

Wednesday night was the closest I've gotten to my fanciful and somewhat naive dream when a cast of NYC's best and brightest made the trip out to our humble Jersey City home.  Jeremiah Cymerman, who played a solo clarinet/electronics set on the show last year, assembled the group of musicians, and together we came up with a loose concept of configuring them in little ensembles for short improvisational pieces.  Neither the musicians nor I knew what the formations would be or what would be played until a few minutes before kickoff. Between pieces whoever wasn't setting up would join me in the studio for some chat, and we'd end with the full group going at it.

The result was a relaxed and convivial atmosphere, some unexpectedly wacked out high points, and ultimately a wonderful set of live and spontaneous music!  Catch all of these folks at the Telluric Currents Series at Ibeam in Brooklyn this weekend.  I'm off the schedule for the summer, but who knows, maybe my live improv dreams will come true in the fall, after all.  Thanks to Sean Austin for engineering.

Hear the full set here on the Free Music Archive

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zlayton on 06/19/2009 at 02:59PM

matteah baim

Former Metallic Falcons singer/ songwriter Matteah Baim came out to ISSUE last month to play a short set.  We were really impressed with her work.

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BTurner on 06/18/2009 at 07:05PM

The Vaselines live at Primavera Sound

(photo: BT)

Some more fruits of our late May visit to Barcelona's Primavera Sound fest, where WFMU set up camp (like, in a tent and all) for three sunkissed days and breezy Mediterranean nights. We've got archives of 20 of the sets we recorded and aired, and some of the artists were even generous enough to allow downloads via WFMU and the Free Music Archive sites. One of these groups, Scotland's legendary Vaselines, put in one of the most fun sets of the entire weekend, definitely with some of the best stage banter to boot. For the uninitiated, the group existed from 1986-1990 fronted by Francis McKee and Eugene Kelly (the latter going on to form Eugenius and Captain America) and had a big booster via the Northwestern USA underground axis of K/Sub Pop records (Sub Pop put out an anthology of the Vaselines on the tail of some major Kurt Cobain fandom, in fact Nirvana covered three Vaselines tunes). They reunited in 2006, toured the USA in 2009 and finished their recent tour at this Barcelona show. We unfortunately didn't get the first tune of the set, but dig in to the MP3's below, and if you like, check out some more pics of the Fest from WFMU's Flickr group.

>> The Vaselines live at Primavera Sound 2009

>> More mp3s from Primavera Sound on the FMA

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