Recent FMA Blog Posts
This is a feed of featured blog posts from FMA users. Blog on, bloggers!
CJSW_Music on 08/15/2013 at 01:30PM
Calgary has seen many bands come and go, but for many, there remains a special place on our iTunes playlist for psych-pop experimenters Hunter-Gatherer.
Taking the swirling cacophony of Animal Collective and channeling it through the fuzz of early-90's guitar pop, Hunter-Gatherer quickly amassed a devoted following, playing Sled Island and other high-profile gigs, before members went on to other projects (including The Cable-Knits, an outfit with a similar sound). On their sole release, a four song cassette from 2009, the band's pairing of dreamy vocals and spiky guitars laid the groundwork, along with Braids and Women, for many of Calgary's young indie bands (Gretchen, Faux Fur, et al). You might have to "hunt" for their tape, but once you find it, I "gather" you'll fall in love.
ange on 08/07/2013 at 05:09PM
The annual Primavera Sound Festival took place this May at Parc Del Forum in Barcelona, Spain. The festival's line-up is consistantly impressive, bringing together a mix of artists from across genres and generations.
These recordings wouldn't be possible without help from WFMU staffers who occupied the mosquito-infested double-wide broadcasting tent during the coldest Primavera festival yet. This includes WFMU's Liz Berg (you love her FMA podcasts and weekly mixes), Brian Turner (thank him for our recent live Mudhoney session), Scott Williams, Evan "Funk" Davies and Scott Konzelmann. You can explore the rest of the archived, streamable (non-downloadable) sets here and here.
All of these artist-approved live recordings are being offered under a Download Only License, which means they welcome you to listen but not remix or use in videos.
TAGGED AS:thee oh sees, guardian alien, spain, white fence, orchestre poly-rythmo de cotonou, See More...
theradius on 08/05/2013 at 09:33AM
PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.
PATCH 02: Memory
Seventy Seconds is Harold Schellinx’s sound diary for the year 2011, a prime year. Schellinx recorded 10 seconds of sound each day of the year at various times of day. The ensuing avalanche of sounds, extracted from Schellinx’s private soundscape, mirrors the relentless passing of time. The sounds captured are often highly personal, but due to their briefness, remain abstract.
Seventy Seconds follows and documents the lines of (unfinished) drama and euphoria, hopes and fears, as they continue to unfold. In that sense, Seventy Seconds truly is a diary. It also is simply a work made out of sound, the “intangible and uncanny ghost that always travels half a mile ahead of its own shape" (William Faulkner, Light in August, 1932).
ckutmusic on 08/02/2013 at 09:00AM
This past Monday, July 29th, Victoria, BC'ers (turned Montreal short-term residency'ers) Babysitter came in to the CKUT Music Dept's new release program New Shit for a live performance. Rare garage soul sighting.
whitenoise on 08/01/2013 at 09:00AM
The Stanhope House and MuteAnt Sounds Netlabel are planning an uncompromising night of experimental music, hardcore, and grind for the underground connoisseur. Here are a few artists from here on the Free Music Archive who will be performing at the event.
Gnaw (facebook) is a genre destroying journey, utilizing pounding percussion, factory noise, chordal slabs of guitar and bass, homemade electro-acoustic instruments and Dubin’s unique and legendary vocalizations. They're the brainchild of Alan Dubin (Old Lady Driver/Khanate), with members of Enos Slaughter and Ike Yard. The five-piece have been assaulting audiences in the US as well as Europe with live shows since 2009 and have just completed their second album, "Horrible Chamber" to be released on Seventh Rule Records in October, 2013.
Prana-Bindu (facebook, website) features members of The Hat City Intuitive, Mittimus & 76% Uncertain that freely improvise through space and time. Matt Sekel, Todd Knapp, Gene Moore, Gene Janas, and John Howard (Hat City Intuitive/DC noise-rockers The Plums) are slated for performance.
Sonic Suicide Squad (bandcamp) were highly active from 2008-2010 releasing a slew of CDR's on such infamous labels as DC's Panic Research and Halifax's Snapped in Half; as well as a self released 7". The band brought their free jazz noise terror style on tour as the opening act for Acid Mothers Temple's 2009 US and Canada tour routing them 15,000 miles in 6 weeks. This is the first emergence of the Squad since the hiatus of 2010. Core members Sam Lohman (drums; Sheer Terror/Nimrod) and Vinnie Paternostro (tenor sax, tronics) will collab with Mike Graziano (bass; Earthly One).
wmmberger on 07/29/2013 at 11:45AM
As I said to the members of Bludded Head, for a good, long while, I'd been subsisting on the two, outstanding tracks from their debut 12"—and with great enthusiasm, am now proud to bring you live versions of these four, new compositions from this unique Texan doom outfit. Studio versions of the songs are also available from the band on limited CDr.
With two new members added to the lineup (and the original, intact core of Nevada Hill and Darcy Neal), these songs find BH in the realm of even greater dynamics and subtlety when compared to the tracks on their debut; the addition of double bass and an accomplished new drummer having opened up the compositional palate of the band considerably. None of the crunch has been sacrificed though, and Nevada's outrageous screams still ride atop the steamrolling melee of Bludded Head's mighty downbeats.
Doom bands come and go, many sounding similar to one another, with the greatest emphasis being placed on how far apart those gut-punch downbeats can be spaced; not so for Bludded Head, who seem in it to write, arrange and execute great songs, several worlds apart from the sameyness that characterizes many of their peers in the genre. My Castle of Quiet and WFMU caught up with the band mid-tour, and it shows, such that the freshness and intensity of these selections are at a dazzling peak.
AS220 on 07/26/2013 at 04:13AM
bronwynbishop on 07/22/2013 at 10:45AM
"Poems urgently needed to set to music! Write clever poems, catchy rhymes. Achieve fame, money in popular music field!" screamed the advertisement in the March 1955 issue of Popular Mechanics. Aspiring songwriters all over the country sent their lyrics and varying sums of money to the New York address at the end of the ad, lured in by the promise that their words would be turned into stellar songs which would be sent to radio stations and record executives- but as it turned out, the music was thrown together in minutes by bored studio musicians, and the songs would be left to languish in obscurity. This was the modus operandi of the song poem industry, a scam which started at the turn of the 20th century and has lurked at the fringes of the music world ever since.
Many song poems have become cult classics, including "Virgin Child of the Universe", "Jimmy Carter Says Yes" and "Green Fingernails". The singers and songwriters who recorded them have gained infamy as well, such as Ramsey Kearney, singer and composer of the infamous "Blind Man's Penis (Peace and Love)". But one man is revered over all others by song poem aficionados. Troubled genius, acid casualty, known as "the Mozart of Song Poems"- Rodd Keith. His weird and wonderful recordings have been compiled in the releases I Died Today, Ecstasy to Frenzy, and Saucers in the Sky. Now Happy Puppy Records has put together a new collection of Rodd's best, from the private archives of collector Bob Purse. This collection includes such gems as "Country Boy," which showcases Rodd's attempt at a Southern twang, the Muzak-esque "Before I Go Out," and the syrupy "If I Had A Million Dollars" (not to be confused with the Barenaked Ladies song, or the Eminem song).
CJSW_Music on 07/19/2013 at 06:00AM
Chris Gheran is a name you’ll hear often as you begin to plunder the depths of Calgary’s folk music scene. He’s a child of two worlds who brings a fresh take on old-timey folk sensibilities. He manages to bridge the gap between popular culture and music from the days of yore, and it’s a beautiful synthesis. He’s written tracks about our fair city of Calgary, encapsulating the culture beyond the logo-adorned skyscrapers of downtown. As part of the Calgary Folk Music Festival’s Musicians in Motion, he collaborated with Ian Tyson while performing live on the Calgary public transit. There’s really no telling what he’s got up his sleeve for us next, and that’s just the way he likes it.
BTurner on 07/16/2013 at 02:30PM
When WFMU broadcast Mudhoney live from ATP a few years ago, it was fully obvious that their instrumental power and Mark Arm's inimitable yowl were still very much in full force. Even more so at last year's Primavera broadcast (where they followed up after their set by bumrushing and taking over the WFMU fairway tent!). Twenty-five years down the line Mudhoney still have the bottles and bodies flying, soaking up a past and continuing to deliver the one-two riffage even as bands they influenced have vanished and reunited at half mast.
In celebration of both Sub Pop and Mudhoney's respective 25th anniversaries, they stop by WFMU's Brian Turner's show to rock faces off with a few live songs from their brand new full-length (their ninth!) "Vanishing Point."