Free Music Archive Blog

The Happy Valley Band Performs Machine Interpretations of the Great American Songbook

2012-05-16T14:39:30-04:00

The Happy Valley Band is the Great American Songbook heard through the idiosyncrasies of the machine ear. It is what happens when a computer tries its best to pick out the tunes by ear, writes down what it hears and demands that human performers try to play it. It combines audio separation and computer automated transcription technologies together with a twisted affection for American popular music icons.

In the process of creating the music, the original recordings are first separated into individual instruments and then transcribed by computer automated techniques. Arranging the music is an effort to parse the profusion of computer analysis data into playable form. The Happy Valley Band then plays the mercilessly over-specific computer transcriptions along to the sound of the lone extracted vocal track, offering a new accompaniment to a familiar voice.

Last month The Happy Valley Band squeezed into the studio at WFMU to deliver a set of unusual interpretations on popular music classics. Performing live on Kurt Gottschalk's Miniature Minotaurs Show, the studio quickly became an obstacle course of musical equipment—saxophones, violin, accordion, pianos, guitars, basses and drums, topped off with a Farfisa and a small army of music stands. By the end of the set, the floor was hidden beneath a carpet of loose sheet music, casualties of frantic page turns as the band carefully staggered through a set of classic songs by Elvis Presley, Patsy Cline and James Brown rendered in new, unrecognizable forms.

All software and sheet music will soon be available from the band's website. No classic recordings were harmed in the process. The Happy Valley Band is based out of New York, but you can catch them up north this summer at Electric Eclectics Festival.

Tracks to Sync, May 2012

2012-05-15T12:35:15-04:00

Tracks to Sync is a monthly mix of music curated with the online video producer in mind.

As more and more people turn to video in the digital era, they are faced with the music licensing hurdles that have hindered many a film. At the same time, the increase in video production offers new opportunities for multimedia collaboration. This series aims to unite producers with musicians who have music to share for these purposes.

The tracks is this mix are available under Creative Commons licenses that allow for "derivative works," like a video (some CC licenses specify "NoDerivatives"), while retaining the parts of copyright that the rightsholders wish to keep. Creative Commons offers a few custom license combinations, and each is hyperlinked to a human-readable license + legal code, i.e. Attribution-NonCommercial-ShareAlike, aka "BY-NC-SA". You can read more about the various CC combos here, and check out FMA's HELP & FAQ for more resources.

Before using any Creative Commons music for a project, you need to make sure you follow the track's license in order to avoid copyright infringement. If you're not sure whether your use is pre-cleared by a particular license, it's always a good idea to reach out to the artist directly. Click the "i" button below to view the license along with a URL or email address where you can secure 'more permissions.'

We always love to hear about collaborations inspired by FMA music, so if you use one of these tracks, please post a link to the track page as well as to our Video Showcase. We'll feature our favorite video made using this month's tracks in the next Tracks to Sync!

1. Broke For Free [brokeforfree.com] is Tom Cascino from Santa Cruz. He's already had some fantastic viral internet hits like like "Something Elated" and "Calm The Fuck Down." "As Colorful as Ever" is a cut off his latest self-release, the chill-wave beat-oriented Layers. [Creative Commons Attribution-NonCommercial]

2. Sunhiilow [facebook] is Valérie Magisson from France. "Le Songe d'Hacolhii" is from the ambient/experimental album "From There To Here," released in a cd-r limited edition of 40 copies on Finland's Om Ha Sva Ha Ksha Ma La Va Ra Yam imprint. [Creative Commons Attribution-NonCommercial-ShareAlike].

3. Jason Shaw's website audionautix is a fantastic resource for Creative Commons Attribution music in a range of styles. All he asks for is attribution in the form of a link back to his website. "Sidewalk" can be found in his 'Acoustic' collection.

4. Jahzzar is Javier Suarez from Gijón, Asturias. His website betterwithmusic.com offers creative music composed specifically for use in multimedia projects. "Siesta" can be found on the Traveller's Guide surveying contemporary music styles, and it is available under the CC Attribution-ShareAlike license. If you're not able to ShareAlike, you can secure more permissions through Jahzzar's website.

5. Denmark's Quantum Jazz [quantumjazz.net] released End of Line, their second and final album, via Jamendo under a CC Attribution-ShareAlike license. Jamendo PRO offers a cool way to secure more permissions directly from the group.

6. GaBlé's 2003 netaudio release le sac de l enfer 1 is a recent add from France's Los Emes De Oso netlabel. It's chock full of intriguing lofi folk-hop beats. More music available at gableboulga.com. "humm ok" is CC BY-NC-SA.

7. CBC Radio's technology program Spark first introduced us to Bulgaria's Antony Raijekov (tony.cult.bg). "By the Coast" can be found on Jazz U, a 2003-2006 retrospective [CC BY-NC]

MP3 of the Day: Indian Wells, "Deuce"

2012-05-14T12:28:42-04:00

via Bad Panda Records — We're glad to announce our 2nd physical release and introduce you Indian Wells. His first track "Deuce" [mp3] just debuted on XLR8R and was likened to Shlohmo’s lo-fi textures and Actress’ gritty techno mantras.

Debut LP "Night Drops" will be out in june, meanwhile pre-order one of the 100 numbered CDs before they’re gone forever and follow Indian Wells on FB or SNDCLD for more news/mp3s.

Art Punk From The Netherlands' Dans l´cul Danku Festival

2012-05-14T05:52:22-04:00

Dans l´cul Danku! is a 3 day Festival held at the Sub071 Multipleks squat in Leiden, now on its second edition. Unfortunately Noise Problems couldnt attend but to celebrate and spread the good word we posted last year gigs from Theme of Laura and Les Louise Mitchels that we managed to record amidst all the DIY madness.

In their own speak Dans l´cul fest "is a DIY (do it yourself) and non benefit fest. The only purpose of this fest is to share and meet together in happiness with concerts, infostands, workshops, eat & cafe and whatever. All money done are only to cover general costs as electricity water, food, drinks, materials and cover a maximum gazcosts for the participants (bands, people giving workshops)..."

There were good vibes and good music, good food and good movies!!! It was awesome and indeed happiness was ever present. For the this years edition line-up check out the new site. Theme of Laura is screaming emo-punk from Strasbourg. Les Louise Mitchels are free-rock jazz-punk from Paris. Oh la la! Dans l´cul danku!!!

And I don't care about what the prying eyes can see, i'll keep on walking without pants in the middle of this school of fish that never stop screaming; keep on dancing to not die in a life where death has more place than the laughter of fools. I'll not cry anymore and my hatred torn of my veins, thrown to the sheep, i prefer to live too much until a soon death, rather than die slowly on my shit. One more or less, you can tell about me what you want, soppy, silly, crazy, in the twisted right way or not, I would stay at attention under the banner of fools, flag I will burn before to run into the storm."

MP3 of the Day: The Nighttime Adventure Society, "She's In Mind"

2012-05-11T10:39:35-04:00

The Nighttime Adventure Society plays rollick 'n roll music by Laura Zax. They are currently working on their debut LP, but their music has already been featured on NPR, Delta radio, and in a commercial for Sally Hansen. Based in Washington DC, the group has performed nationally and internationally, including a several shows at the World Expo in Shanghai. (via)

Chapter One: The First Chapter is the Nighttime Adventure Society's four-song debut, released under a Creative Commons Attribution-NonCommercial-Share Alike license. The whole EP's a treat, but "She's In Mind" is an especially infectious tune and a very fine production with guitar licks, glockenspiel, square waves and harmonized vocals that delight the ears.

Nighttime Adventure Society | Bandcamp | Facebook | FMA

Primavera Sound 2012 Preview: Free & Legal MP3s from 32 Artists

2012-05-14T11:44:59-04:00

Primavera Sound is one of the world's most incredible music festivals, unique in the way they unite (even re-unite) world-famous headliners while also digging deep to discover up-and-coming artists. Based in Barcelona, Primavera brings artists from all over the world, with an ear that is uniquely attuned to sounds from Spain's underground.

Here's a mix featuring music by 32 of the artists who are scheduled to perform at this year's Primavera Sound festival, May thru June 3rd. 2012 will be the fourth year in a row that WFMU broadcasts live from the festival, and we're looking forward to archiving more approved Primavera Sound performances here on the Free Music Archive!

Check out many more select recordings from past Primavera Sound festivals as we look forward to Primavera 2012!

New Music from Tom Chiu, Conrad Harris: FLUX Quartet, Bobby Few, Alvin Lucier!

2012-05-09T14:35:38-04:00

On Saturday May 12, Interpretations presents an evening at of music at Roulette featuring a mammoth new Guggenheim commission from composer Earl Howard, and a performance of amazing new works for violin duo by FLUX Quartet members Tom Chiu and Conrad Harris.

In anticipation of this event, we are offering two great tracks, one by Conrad Harris and one by Tom Chiu. Alvin Lucier's duet for two violins with sine tones will be performed by Chiu and Harris on Saturday, and appears here in a version recorded for Lovely Music by Conrad Harris. Tom Chiu will have a world premiere for two violins on the Saturday concert, and here we are offering a piece he wrote for the FLUX Quartet with special guest pianist Bobby Few. Enjoy!

MP3 of the Day: Phoniandflore, "Melodica Time"

2012-05-09T11:33:13-04:00

Like stepper dub? Like melodica? Then you’re going to love this new EP from 4 of the best and most prolific dub artists from the netlabel community in France.

Phoniandflore (aka P.A.F) starts the musical journey with the original mix. With a driving bassline, swirling eastern groove and melodic melody, P.A.F treats us to some classic stepper goodness.

Additional remixes by Shan-a-Shan, Injham and Jideh High take the track to additional heights. Injham refines the beat a little, whilst keeping true to the original groove. Shan-a-Shan treats us to a more liquid sound and Jideh High takes this one stage further with a distinctly watery dub.

This is French electrodub at its finest.

via Angel Dust Records & Marée Bass

MP3 of the Day: Raleigh Moncrief, "Combed Over Chrome"

2012-05-09T16:55:59-04:00

"Combed Over Chrome" is an interstellar beat-blast to launch minds into warp.

California's Raleigh Moncrief grew up composing music on tracker software, transcribing guitar parts into digital sequence in the pre-mp3 era of the Commodore 64. Members of the tracker scene were music filesharing pioneers, and Raleigh naturally took to the web to release the Combed Over Chrome EP via his own Obstructive Vibrations netlabel.

OV also helped introduce us to some of the many talented musicians who run in Moncrief's Sacramento circle like Hexlove, Appetite and Pregnant. Alongside Death Grips, Moncrief seems to be leading the local beat-oriented scene, but he is a truly eclectic collaborator—playing with the likes of Zach Hill (Hella), The Advantage, and Marnie Stern—and a producer of albums by Ganglians and 'sound design' for Dirty Projectors' Bitte Orca.

Anticon recently released Raleigh's debut LP, Watered Lawn. Check out the "Lament For Morning" video, directly by Moncrief himself, after the jump. Raleigh Moncrief plays live on my WFMU program this Thursday May 10th at 10am.

Raleigh Moncrief @ WWW | Twitter | Facebook | Soundcloud | FMA

MP3 of the Day: Hypermagic, "Piffy On A Rock"

2012-05-07T12:42:28-04:00

Introducing London’s Hypermagic, a forest of echoes and polychrome phonographic vibrations inspired by acts like Grouper, Emeralds, Do Make Say Think and Teen Daze. Layers of rustic beats, rusty clicks, shrouded voices, kaleidoscope reverbered guitars and rheumatic feedback. After 4 well-received EPs and a full-length (everything on free download) here are new sonic textures and rhytmes that will ride you along a time warping tunnel headed straight for the moon. Stay tuned for more music at Magic Rub Cassettes and check out the interview.

Read interivew & more on Bad Panda

Fight For Your Right To Copy: Beastie Boys, "Now Get Busy"

2012-05-15T13:15:38-04:00

I was devastated to learn that Adam "MCA" Yauch left us on Friday. His life is full of moments to celebrate: License to Ill-era shenanigans on Japanese TV; the dense sample-based lyricism of Paul's Boutique; his return to the bass on Check Your Head and Ill Communication informed by the decade of musical exploration that followed the group's formation in NYC's hardcore scene.

The list of musical accomplishments could go on and on, but Youch used his position to advocate for causes he believed in. He organized the Free Tibet concert and more recently supported the Occupy Wall Street movement. He was not only a video director and filmmaker—including a 2008 documentary on rising high school basketball stars centered around Harlem’s legendary Rucker Park—but a supporter of worldwide independent film. In 2008 he founded Oscilloscope Laboratories, releasing fifty films so far including Exit Through The Gift Shop, documentaries on Scott Walker, Youssou N'Dour, and William S. Burroughs.

One of the causes Adam Yauch fought for was your right to copy. The Beastie Boys began working with sample-based music before the Biz Markie lawsuit sparked the development of a sample-clearing industry. Although many of the samples on Paul's Boutique were cleared at the time at an expense of $300,000, if it were produced under today's copyright regime, some of those individual samples would have run a hefty $3-mil and the 2.5x platinum record would have lost $20 million dollars. In other words, it's not possible to make a record like that any more.

The Beastie Boys were early advocates for Creative Commons, and released today's featured track, "Now Get Busy," under the NonCommercial Sampling Plus license. The license was developed by Creative Commons in collaboration with Negativland, and though it was recently retired, it was a truly pioneering effort.

"Now Get Busy" kicked off 2004's Wired Magazine Creative Commons compilation The WIRED CD: Rip, Sample, Mash, Share alongside David Byrne, Chuck D, Spoon, Gilberto Gil, Le Tigre and many more. Less than two years after the launch of CC's first licensing suite, this was a high profile introduction to the movement, and the Beastie Boys were featured on the magazine's cover as digital music pioneers. In an interview with Eric Steuer, the Beastie Boys discuss why they were quick to embrace Internet radio and promotional mp3 downloads via their Grand Royal label, and Yauch shares his perspective on sampling as an art form:

"It's totally context...because not every sample is a huge chunk of a song. We might take a tiny little insignificant sound from a record and then slow it way down and put it deep in the mix with, like, 30 other sounds on top of it. It's not even a recognizable sample at that point. Which is a lot different than taking a huge, obvious piece from some hit song that everyone knows and saying whatever you want to on top of that loop. An example that's often brought up in court when we get sued over sampling is a Biz Markie track where he more or less used a whole Gilbert O'Sullivan song. Because it was such an obvious sample, it's the example lawyers use when trying to prove that sampling is stealing. And that's really frustrating to us as artists who sample, because sampling can be a totally different thing than that." (read more)

We asked for favorite MCA moments over at our Facebook page, and got some great tips along—feel free to chime in!

MP3 of the Day: Miss Emma, "Une Glace au Citron"

2012-05-04T11:52:45-04:00

Miss Emma lives in Chambéry, France. Her dad is Juan Naveira, creator of the band Juanitos.

When Emma wrote the lyrics to her first song, "Une Glace au Citron" ("A Lemon Ice"), she gave the page to her dad and hummed the tune for him. He played it on the guitar for her.

Within a few weeks, they put together more songs, and a full-length album. Soon they were performing small concerts and appearing in the press. The video for "Une Glace au Citron" ("A Lemon Ice") became a hit on the Internet! Well-known American DJs Ursula 100 and Martinibomb have promoted Miss Emma, and she has since developed a following in the USA.

via Kazoomzoom.com, the world's first netlabel for kids!

MP3 of the Day: Axial, "Papaloko"

2012-05-03T11:01:25-04:00

Axial, from São Paulo, melds traditional music of Brazil, Haiti and Africa with contemporary electronic and electroacustic sounds. The result is a bit like Björk mixed with Ceu. The group consists of core members Sandra Ximenez (vocals, keyboard), and Felipe Julián (bass, computers, production), with Yvo Ursini (guitar) and Leonardo Muniz Correa (sax/clarinet).

"Papaloko" is the opening track to Axial's 2004 debut LP, "Vol 1." Axial have since released two more albums under the Creative Commons Attribution-NonCommercial-ShareAlike license: Simbiose [2011], Senóide [2008].

Axial's website includes many side projects like a live soundtrack to Buster Keaton silent film and podcasts about digital culture. Their latest project, Bagagem is a free software for music distribution used by fellow contemporary Brazilian artists like Chico Correa (who Axial cover on their latest album)

MP3 of the Day: Michael Stasis, "Brown Cow"

2012-05-15T15:46:25-04:00

New music from Michael Stasis: "Brown Cow" is a mid-fi avant-pop tune on a Neu-style groove. It's available on his new album Chainsaw, released last week by Megazine Magazine, where you can also grab an autographed Michael Stasis poster.

Michael Stasis has somewhat of a cult following thanks to his limited-run cassette releases dating back to the early part of the last decade. I first heard him through Nadav of Phoning It In, who knew I'd dig the home-recorded psychedlic folk-pop. His music can be hard to track down, but in 2009 I was lucky to find a few copies of his self-titled cassette on Natural Resources behind the counter at Other Music, and we offer a couple tracks from Michael Stasis' cassette releases on the FMA here.

Last year, Michael Stasis compiled a bunch of his older lo-fi experimental recordings into a freely downloadable collection entitled RIP (2003-2009).

He's since moved to Oakland (from Philly/NY) and upped the fi to mid- for a slew of fantastic releases like Innernet Blues and In the Shadow of the Dairy Queen.

MP3 of the Day: Ed Schrader's Music Beat, "My Mind Is Broken By The Sound" (Live @WFMU)

2012-05-05T05:38:37-04:00

Every time I reach for a jelly bean, "I Can't Stop Eating Sugar" by Ed Schrader's Music Beat pops into my head: "When you can't stop doing something / Brother you must stop yourself." And every time my mind is broken by the sound, "My Mind is Broken By the Sound" comes to mind.

Wham City's Ed Schrader is the host of The Ed Schrader Show and The Ed Schrader Podcast. He is also the voice of David Bowie trying his hand at standup comedy. Ed Schrader's music began with his stories to be told, a floor tom, a little bit of reverb on the vocals, and a three-year tour of the USA. Joined by bassist Devlin Rice (Nuclear Power Pants), Ed Schrader's Music Beat brings to mind minimalist Swans songs stripped to their essence with wit, concision, and a message.

This recording comes from a live performance on WFMU's Talk's Cheap this fall (video). The Music Beat's Jazz Mind LP is out now on Load Records.

Toni Dove's "Spectropia" (MP3: Elliott Sharp feat. Debbie Harry )

2012-05-02T12:53:25-04:00

On May 4 and 5, Roulette presents Toni Dove's Spectropia, an interactive live-mix sci-fi/noir film hybrid featuring time travel, telepathy, and elements of film noir in a drama set in England, 2099 and in New York City, 1931, starring Aleksa Palladino (Boardwalk Empire), with music by Elliott Sharp. We would like to offer one track off of Elliott Sharp's CD: "This Time That Place", with guest vocals by Debbie Harry.

On May 4, Roulette presents a live-mix cinema event, a scratchable movie performed by Toni Dove and project software designer R. Luke DuBois: video DJs playing a movie instrument. On May 5, Elliott Sharp performs the Spectropia Suite, based on an imagined meeting of the musics of Duke Ellington and Edgar Varese (both residents of New York in the 1930s). In concert the vocals for "This Time That Place" will be sung by guest vocalist Barbara Sukowa. The band will include E# playing Bb & bass clarinets, tenor saxophone, guitar & computer processing; Briggan Kraus – alto saxophone; Nate Woolley – trumpet; Art Baron; Curtis Fowlkes & Steve Swell – trombones; Anthony Coleman – piano; David Hofstra – string bass; and Don McKenzie – drums.

View the trailer for Spectropia (via):

The Streaming Museum is now offering Spectropia as a multiple-installment serialized work. See Part One after the jump:

Preservation Week 2012 Mix

2012-04-27T17:34:46-04:00

Although Preservation Week 2012 is winding down, that's no reason to stop the celebration. Ease into the weekend with this mix which pays tribute to time, the past, and how some things are just too good to let lapse into oblivion.

FMA curator, Cylinder Preservation and Digitization Project (CPDP) gives us a taste of vaudevillian debauchery with Sophie Tucker. Early 20th century Canadian folk fiddler, Isidore Soucy, is a highly jig-able offering from Excavated Shellac, also an FMA curator.

Lock up your gun before you listen to western swing pioneer, Spade Cooley, from Bloodshot Records' Bloodshot Revival Series.

Giraffe rocks out the fleeting nature of existence. Roger McGuinn updates a traditional folk song as part of his Folk Den Project.

Vermillion Sands gives a "country-tinged fuzz pop" nod to the cold figure of history.

Big Blood honors the weary archivist with dream-like precision. Experimental one-man band, Newage Hillbilly, says it plainly and psychedelically.

R. Stevie Moore gives us the unbridled joy of "Records" (both vinyl and administrative).

The Paperhead waxes nostalgic and Romanian synth and drum quartet, Karpov Not Kasparov, compose the sonic equivalent of an hourglass.

Computer artist/programmer, Valentina Vuksic's finds new uses for old technology. Whether in reference to souls or back issues of Punk Planet, Boss Hog, declares that they have "Saved."

CPDP generously shares with us an anonymous recording of farm animals from the early 1900s.

Free-psych-noise-electro-unclassifiable Oakland-based Kreamy 'Lectric Santa ruminates on dystopia. Oneida's 2006 live performance still resonates powerfully, well into this milennium.

Self-taught lo-fi multi-instrumentalist hyphenator, Spencer Owen, pleads with the future. Long-running WFMU show, Antique Phonograph Music Program, shares some vintage avian ventriloquism courtesy of Edward Avis and Howard R. Garis.

And Wooden Shjips' "For So Long" is an epic, driving collision of mind-altering sparsity that travels the path of its own stylistic origins.

MP3 of the Day: Spade Cooley, "Better Do It Now"

2012-04-26T16:49:01-04:00

One of the most notorious figures in country music history is western swing pioneer Spade Cooley. Cooley was known as the "King of Western Swing" in his heyday, but due to a gruesome incident in his private life, he is often viewed these days more as the Sid Vicious of Western Swing. His is a model lesson in how a brilliant musical legacy can be overshadowed by unsavory personal problems. (via JoeMc, "He Did It Then" —> Read More)

This song features Tex Williams on vocals, and can be found on Shame On You, a set of music from Space Cooley & The Western Swing Dance Gang featuring Tex. The collection was issued by Bloodshot Records' Bloodshot Revival Series.

The Bloodshot Revival Series is a fantastic historical resource for country music in the early/mid 1900s, with a focus on the music of Bloodshot's hometown of Chicago.

Browse more promotional Bloodshot Revival/Soundies tracks on the FMA, and pick up these fantastic reissues at Bloodshot Records. Show 'em some love in honor of Preservation Week (#preswk12)!

Free Music Archive Receives NEA Arts in Media Grant to Support "Re:Mix Media"

2012-05-06T13:08:55-04:00

Today, the National Endowment for the Arts announced that the Free Music Archive is one of 78 not-for-profit organizations across America to receive an NEA Arts in Media grant. The FMA is recommended for a $75,000 grant to support the Re:Mix Media project.

Re:Mix Media is a series of three programs planned by the Free Music Archive to engage audiences in the appreciation, discussion, and creation of music and arts in the digital environment. Three programs will use the FMA's interactive platform to create multimedia art and provide access to those art works:

Re:imagine is a series of themed multimedia contests and workshops to encourage hands-on engagement through the creation of new works inspired by Creative Commons and the public domain.
Tracks to Sync is a monthly mix of music curated with the online video producer in mind. The blog series encourages healthy collaboration between media producers and artists through access to alternatively licensed music and educational resources.
State of The Arts is a monthly program that intersects radio, blogs and live discussion to address applications of creativity involving music in the contemporary digital setting.

The FMA is an interactive music library that by its very nature encourages collaboration. The Re:Mix Media Project will help us take these interactions to the next level through programming that harnesses the potential of the digital era. We are honored to receive the NEA's recommendation in the Arts in Media category, and look forward to working with you to Re:Mix Media!

For a complete listing of projects recommended for Arts in Media grant support, please visit the NEA website at arts.gov. Here's NEA's official announcement as well as our own press release if you'd like to help spread the word. And while we prepare to celebrate our third birthday, here's an "Anniversary Song."

MP3 of the Day: Isidore Soucy, "Quadrille Laurier (6ème Partie)"

2012-04-26T17:18:20-04:00

Another Preservation Week goody, this one from FMA curator Excavated Shellac.

Isidore Soucy, a fiddler and composer, was a fixture in traditional Québécois folk music of the early to mid-20th century.

This track, "which is similar to a square-dance, except without calls" might inevitably be compared to American folk fiddle music, but its relatively smooth and polished style are rooted in European influence, particularly in the piano accompaniment.

Originally recorded in the 1920s, "Quadrille Laurier (6ème Partie)" was released as a 78 and fortunately for us it is now available digitally.

Sources: Virtual Gramophone | The Canadian Encyclopedia | Excavated Shellac on the FMA | ExcavatedShellac.com