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LaughingGear23 on 04/19/2017 at 03:47PM
Being a rapper I find one of the biggest challenges is to find stuff to write about. Having already done my song about finding the remains of an angel, and a whole album pretending to be a galaxy spanning space captain hip-hop extremist, I needed to find something else to talk about.
A few years back I was reading the news about Iraq and Afghanistan and what the article didn’t give me was the ‘why’. Why was it happening? What was the history which drove the behaviours? Who wanted what outcomes? What could be done about it? So, to help me understand I read a few books about recent events by investigative journalists and a few books about history and then a bit of Noam Chomsky – and after all that I was quite depressed and didn’t fancy our chances as a species. But I did have a new perspective and some thoughts to write about!
All Eyes and Teeth – which is now available on FMA – was intended as a side project to work on while other band members finished another release. The way the band works is that we pretty much let each member explore any avenue they want allowing us to develop new styles on side projects and then bring it back into the mix on the more joined up albums. For All Eyes and Teeth I wanted to distil what I was learning, bringing it all together, and bring it to life. So the album starts with a general statement of dissatisfaction (All Eyes and Teeth) and ends with a positive view of the future.
Along the way there is a track on the state of journalism, the emotional stress of dealing with it all, the patterns of social power, and a few more positive tracks as it’s not all impossible. And a few tracks where I talk shit with Quiet Man and Obsolete about how good we are as rappers and how cool we are and stuff. You have to do that on rap albums. It’s tradition.
Words aside, the music on this album is a mix of funky beats from Tuck Pendleton and Watchmaker's slightly less sample driven and more programmed electronic tinged beats. I wanted a variety and order of tunes to keep the album moving forward – keep the listener listening. Watchmaker and Tuck did the damage and made some excellent beats that we polished till they were solid and Just Right. Tuck has frequently voiced his opinions through vocals samples and he did that here on the Interlude tracks adding new angles on the same subects I was to talking about.
So… now that it’s done I can say that it’s come out sounding better than I had hoped. I’m delighted that we’ve created the album I wanted to hear. Goes without saying that some folk will like it and some folk won’t but I’m hopeful that the intention and love that we put into this is apparent. Hope you all enjoy it!
Bozoo on 04/18/2017 at 02:09PM
For its 33rd release, Da ! Heard It Records dives into the origins of Creation.
Recorded in five days in London, at James Ogilvie’s studio in 2010, Dragon’s Teeth is the confrontation of eddie 135’s experimental tweaks and Shitblaster’s science of mix. Saturated like the oil from the fish and chips that three musicians greedily gulp up between two work sessions, the series of improvisations produced by Adrien, Matthieu, and James one evening, serves as the sizzling play-do used to conceive this future disc. From this initial magma that blends rhythm boxes, Juno synthesizer, and a deluge of pyrotechnical effects, accidental beaches form and reveal little by little large blankets that wrap the listener into an actual flow of lava. Petrified, the listener thus takes all the time needed to let oneself become invaded by the ensemble’s numerous textures…
Taking everything with them on their way, the four gobbling geezers deployed here evolve in jolts to bring back from the depths this mysterious dragon’s tooth. Instinctive, brutal, yet mastered, this album’s boiling energy proves once more that the first idea is often the right one.
Dragon’s Teeth, the 33rd release of Da ! Heard It Records, is distributed under a Creative Commons License BY-NC-ND. The album is available for free listening and downloading at the following link: http://www.daheardit-records.net/en/discography/dhr-33 & http://freemusicarchive.org/music/Eddie_135__The_Shitblaster/The_Dragons_Teeth/
cheyenne_h on 03/29/2017 at 08:27PM
If you've been paying attention to the recently added music to our little website, you've probably noticed a few new curators popping up in the results. One of these noteworthy newcomers is Commune Oreille. Some curators are actual radio stations, but this one is a radio show affiliated with Radio Zinzine.
Commune Oreille is also a collective that organizes live performances in a small town in southern France, Forcalquier. Some of the live recordings found in their curator area are from these concerts.
With a focus on free music and frequent live guests, they're off to a great start. So far, more than 150 songs have been added to FMA by Commune Oreille, and we're looking forward to much more!
Though many curators have an identifiable, genred focus, Commune Oreille's collection spans a variety of musical styles. Angry noise-rockers SEC, twee indie-punks Mega Gem, chiptune composers 1UP Collectif, beatmaster Panda Dub and accordion-fueled post rockers Dure Mere are just a few of the fresh sounds you can explore! To make it a little easier on you, they've put together a playlist of highlights to enjoy, but don't let that stop you from diving in to their full catalog.
CodesAndNotes on 03/27/2017 at 12:37AM
How I came across the Free Music Archive is, I was searching for this tune I heard in a YouTube video, from The Custodian Of Records. Out of curiosity I started looking at what else this "FMA" site was proposing and... well you can guess what happened! But FMA not only was a great discovery: it actually pushed me into searching for netlabels on the web. To this day, I rarely listen to anything that is not from a netlabel, with only a few exceptions (Benjamin Clementine for one. Has anyone checked that man? He's incredible!).
So I spend my days listening to FMA while I code for a living, and often leave comments when I'm impressed by the talent and creativity of the artists on display. When Cheyenne invited me to post mixes on FMA, I decided I wanted to pay homage to these three years of discovery. My only worry was choice!
Hope you enjoy them! I obviously had to stop somewhere, and yet there is so much more I wanted to include in there. For example, there’s a lot of excellent post-rock, shoegaze and metal work that I’m really starting to get into. Maybe for another mix?
Until then… Cheers!
TAGGED AS:mixtapes playlists
Music Licenses: A Handy Guide!
Go ahead and take a peek at our License Guide, assembled as a quick reference sheet for the variety of music licenses we carry on our site. From the array of Creative Commons options to the FMA-Limited to Public Domain dedications, this guide tells you what you can - and can't! - do with the music you find here.