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cheyenne_h on 07/23/2015 at 09:00AM
WFMU and the Free Music Archive are proud to bring you a fresh episode of Radio Free Culture, a bi-weekly podcast exploring issues at the intersection of digital culture and the arts.
In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke to Marina Vidor, the digital producer for the UK's Philharmonia Orchestra, about the ways they're using technology to engage the public in the arts - from immersive multimedia installations to a pack of sound samples released to the public under a CC BY SA license.
cheyenne_h on 07/14/2015 at 10:00AM
Well, it's finally here - the world's very first Netlabel Day! FMA is proud to be a partner in this endeavor to turn people on to new music, labels, and artists! We interviewed Manuel Silva, the organizer, on Radio Free Culture earlier this year about it. One of our FMA volunteers put together a playlist of songs she digs from some participating netlabels that are represented on the Free Music Archive.
theradius on 07/11/2015 at 10:20PM
Radius PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.
electrosmog is concerned with themes of electromagnetism and material processes which sonify inaudible events. Using an electrosmog high frequency receiver, Roos captures sounds produced by mobile phones, wireless phones, wifi, microwaves, and other electronic devices (between 800 MHz - 2.5 GHz). Important to Roos’electrosmog is that wifi operates on the same frequency as a microwave oven (2.4GHz), and when modulated into audible frequencies, wifi sounds like pops and clicks and a microwave creates a deep drone.
ckutmusic on 07/09/2015 at 11:15PM
What happens when two of free jazz's most talented names face off live in the CKUT studio? Mette plays sax and Chris plays drums, and he result is a beautiful cacaphony. It's the spirit of punk and the deft skill of jazz tradition. It's those fast high notes, spilling rapid-fire from the saxophone, overtop of clattering toms and minute bursts of cymbal crash. Rolling into the second piece, things get nice & sprawled-out, the sax blowing at less of a breakneck speed but adopting a richer texture before moving back into fast (and we mean FAST) territory.
It's unquestionable that Corsano and Rasmussen are two figured who have already carved out significant artistic niches for themselves; now, as a duo, they prove even further why the world should be paying serious attention to their sounds.